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Cuba > Religion

 A blockade of peoples and countries is a historical error

States Ecumenical Patriarch Bartholomew in his sermon prior to the consecration of San Nicholas Cathedral • Awards Fidel Castro with the Order of Saint Andrew, the highest distinction of his Patriarchy • In return, the Cuban president presents him with the keys of the cathedral and the deeds affording him legal right to this institution

BY NIDIA DIAZ —Granma daily staff writer—

A message of love to the world, a reiteration of the right to equality, against war and the impositions of the most powerful, were included in the sermon delivered by the Ecumenical Patriarch Bartholomew during the consecration of San Nicholas Cathedral, in which he also stressed that "the blockade of peoples and countries is a historical error," a reiteration of his views in that context expressed on Saturday at the inauguration of the Eros-Athlos-Hero exhibition by Greek artist and architect Dimitris Talaganis.



President Fidel Castro was present during the event. Prior to the ceremony, they visited the San Salvador de Santa Brigida convent – inaugurated last year in the presence of the Cuban president – where he was affectionately received by the nuns working there.

Fidel also laid a wreath at the statue of Mother Teresa of Calcutta in the garden named after her at the side of the San Francisco de Assis Minor Basilica in Old Havana.

In front of the entrance to San Nicolas Cathedral, Patriarch Bartholomew and Fidel shook hands in greeting, and after the religious dignitaries had walked three times around the ecclesiastical site, it was the Cuban president’s turn to present the Patriarch with the keys to the building and the deeds accrediting him legal rights to the new church, signed by Cuban Justice Minister Roberto Díaz Sotolongo.

Straight away, the distinguished visitor presented Fidel with the Sacred Cross of the Order of St. Andrew, "as a blessing and a symbol of justice and determination." The Order is the highest distinction awarded by the Patriarch, and takes the name of the Apostle who founded the Byzantine church 2,000 years ago.

Prior to this, Eusebio Leal, City of Havana historian, informed Ecumenical Patriarch Bartholomew that the site presented to him on Sunday was a "symbol of friendship from the Cuban people to him and his church", and also acknowledged all those who had played a part in its construction and made that dream possible. He also expressed his gratitude "for this visit, your words, your noble and warm gestures and fraternal support for the Cuban nation and its president."

In his sermon, the Ecumenical Patriarch thanked the President of the Council of State and Ministers for the cathedral’s construction and for his acknowledgement of the Greek Orthodox Church.

He assured those present that his church had not come to Cuba with arrogance or pride but to firmly advocate that blockading peoples and countries from the general society of the peoples of the Earth is an historical error and that problems between peoples and countries should be resolved through dialogue and communication.

Likewise, he called attention to the current international situation, one he affirmed was characterized by post-war insecurity, terrorism, inequality and the imposition of harsher laws, attesting that his message spoke of the right to freedom and equality.

The consecration of the cathedral signified the end of an intensive program of activities by the Patriarch of Constantinople that began on January 21 and included a visit on Saturday to the William Soler Children’s Hospital and a tour of the Solidaridad con Panamá School.

CONCERT OF CUBAN AND BYZANTINE MUSIC

Patriarch Bartholomew affirmed that Cuban music is a precious treasure and an inseparable part of it national culture.

After enjoying a beautiful gala in the National Theater on the third day of his official visit, he stated that Cuba should maintain its beautiful musical tradition that has been transmitted from generation to generation.

He commented that personally he greatly appreciated all peoples’ traditional music as a part of their identity, a sign of their culture and customs.

He added that given the importance of traditional and national music and its cultivation and diffusion, so-called Byzantine music constitutes a divine art.

"You have given us your musical art with all your love. In exchange we have offered you a sample of ours, likewise with much love," the Patriarch affirmed.

GREEK AND CUBAN CULTURES

In the context of the visit of His Holiness Bartholomew, a joint performance of the most genuine of Cuban art and that of the Greek Republic was staged in Havana.

Genuine liturgical, contemporary, African-Cuban syncretic works and those rooted in the purest tradition were interpreted by Ars Longa, Los Muñequitos de Matanzas, Míriam Ramos, the Exaudi choir, Bellita y su Jazz-Tumbatá, the Folkloric Ensemble and Pancho Amat, and the Cabildo del son.

The gala was further enriched with a brilliant performance by the Agios Ioannis choir of Byzantine music and the Salonica Municipality Musical Group.

(Granma)  January, 26 2004


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