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Cuba > The Culture > Art Gallery |
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Temporary Exhibition |
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 presents
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Wifredo Lam
travels a different road |
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Wifredo Oscar de la Concepción Lam y Castilla was born
December 8, 1902, in Sagua la Grande, Cuba.
In
1916, his family moved to Havana, where he attended the
Escuela de Bellas Artes. During the early 1920s, he
exhibited at the Salón de la Asociación de Pintores y
Escultores in Havana. In 1923, Lam moved to Madrid, where he
studied at the studio of Fernando Alvarez de Sotomayor, the
Director of the Museo del Prado (and a teacher of Salvador
Dalí). In 1929, Lam married Eva Piriz, who died of
tuberculosis two years later, as did their young son. This
tragic event may have contributed to the dark and brooding
appearance of much of Lam’s later work.
In
the early 1930s, the effects of Surrealism were evident in
Lam’s work, as was the influence of Henri Matisse and
possibly Joaquín Torres-García. In 1936, a traveling
exhibition of the work of Pablo Picasso shown in Barcelona,
Bilbao, and Madrid proved inspirational to Lam both
artistically and politically. He moved to Paris in 1938,
where Picasso took him under his wing and encouraged his
interest in African art and primitive masks. During that
year, he also traveled to Mexico, where he stayed with Frida
Kahlo and Diego Rivera. Lam’s own multicultural heritage (as
the son of a Chinese father and a mother of mixed African,
Indian, and European descent) and his involvement with
Santería, a religion rooted in African culture, would soon
become integral to his work. By the late 1930s, Lam was
associated with the Surrealists. He had his first solo show
at the Galerie Pierre Loeb in Paris in 1939, and his work
was exhibited with Picasso’s at the Perls Galleries, New
York.
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 "The jungle", 1943 |
 "Woman with the hands up", 1943 |
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"... a chair appears at the
center of a natural landscape. Nothing was more precarious, weaker, than
the appearance of that piece of furniture that is so present in man's
daily life. The chair’s geometry is cut on the vegetal background. The
main topic of the composition, held on fragile legs and a vertex that
cannot escape the spectator's notice, no longer appears in a neutral
background. It Is Immersed in a vegetal background, placed in such a way
that Is more streaky than exuberant, as if the pictorial solution were now
taken over by an obsessive fear of emptiness."
Graziella
Pogolotti |
 "The Chair", 1943
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"Third World", 1963 |
 Untitled,
1960
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 "Canes",
1965
 "Thoothed woman", 1955
 "Table", 1944
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“For
Pablo Picasso and André Breton, Wifredo Lam was an artist of great talent,
with a specially rich pool of images combining ancestral idioms with a
knowledge of classical European paintings. In the years from 1941 to 1950,
Wifredo's working capacity was at its best.”
Helena
Benitez
(she
was Lam's couple between 1939 -1949)
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